EX LIBRIS - JOHANNES VERMEER, La lattaia, c.1660 Rijksmuseum, Amsterdam. I SEGNALIBRI di LCDARTE - Libere Corrispondenze d'Arte


JOHANNES VERMEER
"The Milkmaid", c. 1660, oil on canvas, 45.5x41 cm
Rijksmuseum Collection, Amsterdam
on display in the Gallery of Honour


More details: a maidservant pours milk, entirely absorbed in her work. Except for the stream of milk, everything else is still. Vermeer took this simple everyday activity and made it the subject of an impressive painting – the woman stands like a statue in the brightly lit room. Vermeer also had an eye for how light by means of hundreds of colourful dots plays over the surface of objects.


THE ART OF THE EX LIBRIS

With the expression ex libris (from the Latin “from the books of…”) we refer to a label, usually decorated with figures and mottos, which is applied to a book to indicate its owner. Labeling can be on paper, in precious materials such as leather or parchment, or in the form of a stamp, in this case, in ink, lacquer, fire or other. There are infinite and even complex variants with changing subjects. Remarkable remains the collection of the British Museum with about one hundred thousand specimens, while in Milan the Achille Bertarelli collection, housed in the Castello Sforzesco museum, is famous. Probably inspired by the so-called workshop signs, they were born in Germany not only because there the printing originated, but above all because there the xylography developed in an extraordinary way.




POST PIÙ POPOLARI

MY HOKUSAI
illustration by Marianna Montaruli, Atelier LCDARTE Libere Corrispondenze d'Arte, affiche cm 60x40

BERTHE MORISOT “Jeune fille dans un parc”, 1888-1893, 90x81 cm, Musée des Augustins, Toulouse. Free Press by Marianna Montaruli e Beniamino Vizzini, Atelier LCDARTE Libere Corrispondenze d'Arte

Photos de l'Atelier LCDARTE : ROMANCE CHAMPÊTRE. Jasmin et Anis sur la table. Photo : Marianna Montaruli. FreePress by LCDARTE